SEATS - 823

STAGE AREA - 52' FROM BACK WALL TO EDGE OF PIT; 88' FROM WALL TO WALL. PLAYING AREA IS APPROX. 2000 SQ FT WITH THE PIT UP AND 1500 SQ FT WITH THE PIT DOWN. PROSCENIUM OPENING 50'

LIGHTING - 50 VARIOUS INSTRUMENTS; PLUS SCOOPS, STRIPLIGHTS, AND CYC LIGHTING

CURTAINS - 3 SETS OF LEGS, 5 BORDERS; PLUS MAIN, INTERMISSION, AND REAR TRAVELERS.

SOUND - 6 WIRELESS AND 6 HANDHELD MICS. 10 HEADSETS AND BELTPACKS, NUMEROUS LOOUDSPEAKERS AND AMPLIFIERS, AUTOMATIC MIXER, 40 CHANNEL MIXING CONSOLE (2 REMOTE LOCATIONS), DAT, DIGITAL SIGNAL PROCESSOR, AND MOTORIZED SOUND ATTENUATING CURTAIN ETC.

BACKSTAGE AREA - 2 "STAR" DRESSING ROOMS W/ SHOWERS, 2 LARGE DRESSING ROOMS, 1 LARGE GREEN ROOM.

1. Sound Reinforcement System
   1. System for amplifying and controlling live sound using microphones connected to input jacks on the state and surrounding areas or by wireless microphones.
   2. System uses a central loudspeaker cluster for coverage of the main floor of the auditorium with delayed loudspeakers for coverage of the rear seating areas.
   3. System uses a 40-channel mixing console for control of input sources and processing equipment for equilization and signal control.
   4. System has electro-acoustically equalization controlled by digital signal processing units.
2. Sound Playback System:
   1. System incorporates playback of pre-recorded music and other source material on cassette, CD or other user supplied sources through central loudspeaker cluster or through stereo loudspeaker clusters located on either side of the stage proscenium.
   2. System uses same 40-channel mixing console used above for control of input sources, uses dedicated processing equipment for equalization and signal control.
   3. System incorporates recording capability for production of cassette or DAT tapes of performances.
3. Stage Monitor System
   1. System provides feeds sound from the sound reinforcement and playback systems to portable loudspeakers connected to jacks located on the stage for monitoring by performers.
4. Monitor System
   1. System uses dedicated a directional microphone located in the lighting beam position (catwalk) for pick-up of sound occurring on-stage. System feeds loudspeakers located in the lobby, corridors, greenroom, dressing rooms and other support spaces.
5. Assistive Listening System:
   1. The sound system incorporates a FM assistive listening system to provide feed to personal receivers for audience members with hearing difficulties. This system is feed from the monitor system.
6. Theatical Intercom System:
   1. A party-line style intercom system is available for communication between the technical staff during show set-up and operation. This covers the lighting and sound booths, catwalks, follow spotlight position, riggin lock rail, stage manager's and house manager's postions, director's stations, greenroom, choir room, dressing rooms and ticket booth.

2.01 SYSTEM PERFORMANCE

1. Sound Reinforcement System:
   1. Intelligibility (% ALCons): <= 8.0%
   2. Frequency response: 40 Hz to 2,500 Hz, =/- 3 dB. a. Low frequency roll-off to be 18dB per octave below 40Hz. b. High frequency roll-off to be 18 dB per octave above 2,500 Hz.
   3. Sound Level Output: 96 dB SPL with 6db headroom
   4. Coverage Uniformity: =/- 3.0 dB throughout the auditorium and rear seating as measured at 500Hz, 1,000 Hz, and 2,000 Hz.
2. Sound Playback System:
   1. Intelligibility (% ALCons): <=8.0%
   2. Frequency response: 40Hz to 2,500 Hz, +/- 3 dB.
      1. Low frequency roll-off to be 18 dB per octave below 40 Hz.
      2. High frequency roll-off to be 18 dB per octave above 2, 500 Hz.
   3. Sound Level Output: 96 dB SPL with 6dB headroom.
   4. Coverage Uniformity: +/- 3.0 dB throughout the auditorium and rear seating as measured at 500 Hz, 1,000 Hz and 2,000 Hz.
3. Stage Monitor System:
   1. Frequency response: 70 Hz t 15,000 Hz, +/- 3dB.
      1. Low frequency to roll-off to be 12dB per octave below 70Hz.
      2. High frequency roll-off to be 12 dB per octave above 2,500 Hz.
4. Lobby and Support Area Monitor:
   1. Frequency response: 40 Hz to 2,500 Hz, =/- 3dB
      1. Low frequency to roll-off to be 18dB per octave below 70Hz.
      2. High frequency roll-off to be 18 dB per octave above 2,500 Hz.
5. Assistive Living System
   1. Frequency response: 100 Hz to 10,000 Hz, +/- 3 dB.
   2. Audio output level at the receiver shall be 140 milliwatts with no more than 10% THD.
   3. System shall be free of RFI and EMI.
6. Theatrical Intercom System:
   1. Signal-to-Noise ratio better than 75 dB.
   2. EMI and RFI rejection better than 60 dB.

CSO Architects Engineers & Interiors, Indianapolis, Indiana, retains all common law, statutory and other reserved rights, including the copyright, to plans and technical data shown herein. Neither CSO nor Eastern Howard Performing Arts Society nor Eastern Howard School Corporation makes any warranties, either express or implied, of fitness of such plans and technical data for any particular purpose, and any reuse of them without the prior written consent of CSO is prohibited.